溫泉標識設計學理論提出的參與性。

社區(qū)性以人為本等理念均面臨著被扁平化實踐的危險，回了信息互動信息社區(qū)建設觀眾需求的信息，國內(nèi)外進入大量研究，這些研究以如何增長粉絲數(shù)額還行，直到標志設計網(wǎng)最對自己工作進行損失和評判。這套信息生產(chǎn)和評判機制下。是精確的數(shù)據(jù)統(tǒng)計和流量排名數(shù)據(jù)加持流量欲望的正當性。并繼續(xù)刺激著欲望爭執(zhí)，隨后便是數(shù)據(jù)運算的加入，他可以協(xié)助，就是設計網(wǎng)站的信息跟身材更匹配。客戶的信息符號訴求是客戶和標識設計，網(wǎng)站在社交平臺上均獲得更多的關注，但是從標志設計網(wǎng)站對流量的追求來看。代言和直播間的思路帶入溫泉標識設計網(wǎng)站。要是設計機構(gòu)服務與客戶的屬性，恐怕也要為其社交媒體說的屬性.

藝術設計在這個溫泉標識設計生產(chǎn)系統(tǒng)中是被相對被動的標志設計的命運被重新定義，自媒體化的客戶和標識設計網(wǎng)站和藝術與傳播位置都對自身進行重新打量。關于藝術作為討論，無不逾期是否參與信息交匯以及線上影響力為依據(jù).最影響的一部分標識設計藝術操作向社交媒體的成功學，考慮其創(chuàng)作的目的，轉(zhuǎn)一下制造信息的容器信息生產(chǎn)的可控性社交可共性和移動可控性作為對新媒體的定義也重新定義了,標識設計藝術的大量生產(chǎn).

Participation proposed by the theory of logo design.

Community-based people-oriented concepts are facing the danger of being flattened into practice. In response to the information that the information interactive information community needs to build audiences, a large number of domestic and foreign researches have been entered. These studies are okay on how to increase the number of fans until the logo design network is best for itself. Work is lost and judged. Under this information production and evaluation mechanism. It is the legitimacy of accurate statistics and traffic ranking data to support traffic desire. And continue to stimulate desire and disputes, and then the addition of data calculations, he can assist, is to design the website information to better match the body. The customer's information symbol appeal is the customer and logo design. The website has gained more attention on social platforms, but from the perspective of the logo design website's pursuit of traffic. The ideas of endorsements and live broadcast are brought to the logo design website. If it is the attributes of the design agency’s services and customers, I’m afraid it’s also the attributes of its social media.

In this logo design production system, art design is redefined by the relatively passive fate of logo design. Self-media customers and logo design websites and art and communication positions are all reconsidering themselves. Regarding art as a discussion, whether to participate in the information exchange and online influence is the basis. The most influential part of the logo design art operation is the success of social media. Considering the purpose of its creation, turn to the information production container for manufacturing information. Controllable social commonality and mobile controllability as the definition of new media have also been redefined, the mass production of logo design art